MovieProMoviePro

Pro video camera for iPhone & iPad

Pro Features

Download on the App Store Explore the scenes →

Professional Video, without complexity

Screenshots

  • Pro Camera, Made Simple. MoviePro in Pro mode on an iPhone, framing a neon-lit portrait, with the F1–F3 function buttons open.
  • Manual Controls: ProRes and Apple Log. The same iPhone mid-take, with ISO, shutter, aperture, white balance and tint across the top, the zoom rail and the running timecode.
  • External Mics: meters and gain. Pro mode held upright with a Shure MV88 connected, live left and right meters and the input gain at +12.8 dB.
  • Live Scopes. Pro mode with the RGB parade pulled out large, and Luma, Parade, Wave and Vector to choose from.
  • Import Your LUTs. Settings, Looks, with Import LUT, and the look menu with the imported Cinema Warm look selected and its Mix slider.
  • Presets: save and recall. The presets list with Workshop Detail, Smooth Motion and Cinematic Log, and Use, Update, Details and More.
  • Remote Control from another device: a controller iPhone directing the camera iPhone over Wi-Fi.
  • Auto: point and shoot. Auto mode held upright, framing a reporter, with focus and exposure locked.
  • Dual Camera: front and back. Dual Capture held upright in the split layout, with the layout menu open: PIP, Split, Switch and Two Files.
Video tutorials

See how it works.

Short walkthroughs recorded in the app. Press play to watch here.

10:21

Pro mode tutorial

Manual exposure and white balance, scopes, focus pulls, presets, Apple Log and LUTs.

0:31

What's New in 10.2

The new zoom rail and zoom speed, levels for the exposure tools, the LUT key and the F1–F3 function buttons.

1:37

Dual Capture

Record two cameras at once: you and the scene, or a wide shot and a close-up.

2:56

Remote Control

Run the camera from another iPhone, an iPad or a Mac.

0:39

Your own LUTs with Apple Log

Import a .cube LUT and see your look while you shoot in Apple Log.

More on YouTube →
Three capture scenes

Pick the scene the shot needs.

Auto, Pro and Dual Capture share one recording engine, with each scene focused on a different way of shooting.

Auto

Automatic exposure and focus, with the shutter angle, microphone, codec and stabilization still yours.

Pro

When exposure, focus and color need hands-on control.

Dual Capture

When one operator needs two angles — on supported devices.
Compare the scenes →
Remote mode

Remote Control

From another device

Remote is a separate operating mode: one iPhone records in Auto or Pro while you direct it from a second over shared Wi-Fi or a Personal Hotspot. Put the camera where the shot needs it and run the take without walking back or adding a crew.

How Remote works →
  • Start, stop and pause recording; zoom, set focus and exposure, and switch lenses — with the camera's Pro controls adjustable from the remote.
  • Mirror the camera's live view as you direct.
  • Turn on Zebra, Focus Peaking, False Color or Clipping on the controller, and pick a LUT from the camera's own list.
  • Both devices on the same Wi-Fi network or a Personal Hotspot — no extra hardware.
  • Or see the frame and start and stop the take from an Apple Watch paired to the camera iPhone.
A MoviePro controller in landscape directing the filming iPhone 18 Pro: its live picture with ISO, shutter, aperture, white balance and tint across the top, the zoom rail, audio meters and Record.
A MoviePro controller held upright, mirroring the filming iPhone with its exposure controls across the top, the clip slate and Record.
Pro tools

Manual Controls

ProRes · Apple Log

Set ISO, shutter, white balance, tint and focus directly — nothing changes unless you change it. Judge the image while you shoot with the scope view (Luma, Parade, Waveform or Vectorscope) and the Scopes key's tools: Focus Peaking, Zebra, False Color and Clipping. The overlays guide you; they never burn into the recording.

MoviePro Pro mode in landscape framing a craftsman in a guitar workshop — ISO, shutter, aperture, white balance and tint across the top, the RGB parade open beside the picture, and the zoom rail, the LUT key and the record button on the right. Watch the Pro mode tutorial 10:21

Manual rails

ISO, shutter, white balance, tint and focus, with manual and auto lock states.

Focus tools

A/B focus pulls and focus peaking for setting focus by eye.

Scopes and exposure tools

Luma, Parade, Waveform and Vectorscope; double-tap a scope for full screen. Set the level for Peaking, Zebra and Clipping, and False Color shows its scale — overlays that never affect the recording.

Zoom

One zoom rail in Pro, Auto and Dual Capture: tap + or −, or tap the readout and drag the scale. In Pro and Auto, hold + and slide the zoom speed, fast or slow, mid-zoom. Digital Zoom can be turned off.

Function buttons

Put the tools you use most on F1–F3, such as Zebra, Grid, Torch or a lens. Presets remember them.

ProRes, Log & LUTs

On supported devices, record ProRes and Log for grading latitude, or standard codecs for lean files. Import your own .cube LUTs to preview a look, or record through it; in landscape, pick one from the LUT key beside Record. How Log works → Your LUTs →

Presets

Start from a capture profile and adjust it to the shot.

Dual Capture

A duo camera on one iPhone: on supported devices, record two cameras at once — picture-in-picture, split screen, or a live cut into one file.

Auto

Point and shoot

Auto handles the moment — exposure and focus — while the decisions that shape the file stay yours: a locked cinematic shutter angle, the microphone you can see and set the gain on, your codec, bitrate and audio format, and the stabilization tier you choose. Nothing is decided behind your back, and every take ends with a receipt. Jump to Pro in a tap when the shot needs hands-on control.

Audio & Take Receipt

External Mics

Meters · Gain

Every take ends with a Take Receipt: a brief summary that confirms the take and clears itself, or the full card with audio and exposure status plus clip details — your choice in Settings. Originals are preserved, and finished takes export to Photos.

MoviePro in Pro mode, landscape, framing a vocalist in headphones at a studio microphone. The expanded audio panel names the connected microphone — Shure MV88, 44.1K, AAC — with input gain at +12.8 dB, live left and right meters and a peak reading, beside ISO, shutter, aperture, white balance and tint.

Live meters

Watch your levels as you shoot.

External mics

Use USB and external mics, with input-level control and headphone monitoring where supported.

After recording

Choose a brief summary that clears itself, or the full card that stays until you dismiss it — preview, share, or retake straight from it.

Since 2012

On the App Store since 2012. Rebuilt for today.

The latest generation of MoviePro was rebuilt with a new capture engine, three focused capture scenes, Remote mode, and a redesigned Pro interface.

Switching apps

Coming from Blackmagic Camera, Final Cut Camera or FiLMiC Pro?

What carries over from each app, and what MoviePro is built around.

MoviePro for Blackmagic Camera users

ProRes, ProRes RAW, Apple Log and full manual control carry over.

MoviePro for Final Cut Camera users

Apple Log, ProRes, video scopes and full manual control carry over.

MoviePro for FiLMiC Pro users

ProRes, manual control, exposure tools and a built-in remote carry over.

Using Apple's Camera app? Explore iPhone 18 Pro manual controls and when to choose MoviePro.

Get MoviePro

Shoot your next take with MoviePro.

Manual control, quick capture, and Remote Control from a second iPhone or an iPad.

Download on the App Store Read the Manual

Bought MoviePro before? Tap Restore Purchases — previous owners can restore access with their Apple ID. More in the FAQ.