Comparison

MoviePro for Final Cut Camera users

If you shoot with Final Cut Camera, much of MoviePro will feel familiar: Apple Log, ProRes, video scopes and full manual control. Here is what MoviePro is built around, and what to know when you switch.

What MoviePro is built around

Six things you'll use every day.

MoviePro is arranged around how you're shooting: Auto Mode, Pro Mode and Dual Capture are separate scenes you switch between from the scene badge, and Remote Control is in the same app.

Dual Capture

Two cameras at once from one iPhone, for interviewer and guest, presenter and subject, or wide and tight. Record PiP, Split or Two Files, or use Switch to cut between the two live cameras during the take.

Take Receipt

After every take, MoviePro reports the save result, including a failed save, with audio, exposure, format, frame drops and slate. If the camera can't deliver the exact format you asked for, MoviePro says on screen what it is recording instead.

Auto Mode

A scene for run-and-gun work such as events, street and news. Exposure and focus follow the shot, with AF and AE locks a tap away, while shutter angle, microphone and gain, codec and stabilization stay your choice.

Pro Mode

Rails for ISO, shutter, white balance and focus. Repeatable A/B focus pulls and zoom moves timed from 0.5 to 3 seconds. Presets that bring back your saved camera settings, including exposure priority and ƒ on iPhone 18 Pro.

Remote Control

Choose Source on the filming iPhone and Control on another iPhone, an iPad or an Apple-silicon Mac. It finds the camera on your Wi-Fi or Personal Hotspot, with no account, and shows its battery, storage and thermal warnings.

Audio you can check

The microphone icon beside the meters changes with the input actually in use: built-in, wired or USB, or Bluetooth. Gain when the input supports it, headphone monitoring, and a warning when no microphone is available.

Shared ground

What carries over.

If you know Final Cut Camera, these work the way you'd expect.

  • HEVC and ProRes in Rec.709 or HLG HDR, plus ProRes RAW on supported iPhones.
  • Apple Log and Apple Log 2 on supported iPhones.
  • Manual ISO, shutter, white balance and focus, and aperture on iPhone 18 Pro.
  • A waveform and histogram, focus peaking, and false color and clipping overlays.
  • Time of Day or Record Run timecode.
  • Clean HDMI output, and recording with the volume buttons.
  • iPhone and iPad.

Final Cut Camera details from its App Store listing and Apple's Live Multicam guide (version 2.4, 29 September 2026), checked 3 October 2026.

Coming from Final Cut Camera

What to know in MoviePro.

Where your Final Cut Camera settings live in MoviePro

In Final Cut Camera you useIn MoviePro
Shutter speed, ISO, white balance and manual focusPro Mode's rails: tap ISO, S, ƒ, WB or the focus key. Shutter priority and aperture priority on iPhone 18 Pro. Exposure
Resolution, frame rate, color space and codecSettings › Video Format: codec, then color mode, resolution and frame rate. Codecs
The Apple Log LUT preview in SDR or HDRLog Look: Rec.709 or Rec.2100 HDR, with the LOG / 709 / HLG control in Pro. Turn on Bake LUT in recording to record the converted image. Log View
Live Multicam with Final Cut Pro for iPadMoviePro doesn't join a Live Multicam session. For two angles, use Dual Capture on one iPhone, or run one iPhone from another device with Remote Control; separate cameras sync in the edit by Time of Day timecode. Dual Capture
Time of Day, Record Run or external timecodeSettings › Camera › Timecode: Time of Day or Record Run.
Zebras, focus peaking, false color and the waveformThe Pro scopes panel: histogram, RGB parade, waveform and vectorscope, with zebra, false color, clipping and peaking. Scopes
ProRes RAWProRes RAW and RAW HQ on iPhone 17 Pro and later, main camera, recorded to an external SSD or Pro Video Storage. Codecs
  • MoviePro writes standard QuickTime .mov files for Final Cut Pro, DaVinci Resolve and other editors. Next Clip writes the project, scene and take into every file's metadata, and names App Library clips, Photos copies and shares after them; recordings to Files or an SSD keep their written name.

MoviePro is not affiliated with Apple. Final Cut Camera is a trademark of Apple Inc. Prices and purchase options for both apps are on their App Store listings.

Try it

See how MoviePro shoots.