User manual

MoviePro Pro Mode Manual

The MoviePro Pro Mode manual for 10.0.4: capture screen, formats, exposure, focus, zoom, scopes, audio, presets, storage, Remote Control and troubleshooting.

MoviePro 10.0.4October 2026 edition22 pages

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Quick tasks

Common jobs in the order you meet them on a shoot. Each link opens the page that explains the job.

Every page of the manual

Start

01The Pro Mode screenEvery control on MoviePro's Pro Mode screen in landscape, portrait and on iPad, and what changes while a take is recording.02Telemetry, control rails and the Assist LineRead and adjust ISO, shutter, aperture, white balance and tint from the telemetry row, close control rails, and understand Assist Line messages.03Record a take and read the Take ReceiptSet the save destination and format, record, pause, resume and stop a take, and read the Take Receipt to confirm what was saved.

Camera

04Choose a camera, the More menu and stabilizationSwitch cameras and use the More menu in Pro Mode: torch brightness, grid, reticle and Next Clip, and how stabilization affects the recording and the preview.05Control exposure: ISO, shutter and apertureSet and lock ISO and shutter, use shutter priority on iOS 27, shutter speed or angle, and aperture priority on iPhone 18 Pro and 18 Pro Max.06White balance, tint and gray-card measurementAutomatic, locked and manual white balance in MoviePro, the TINT rail, lighting presets, and measuring white balance from a gray card.07Focus: manual focus, reticle and A/B focus pullsOpen the Focus rail, hold autofocus, focus manually, choose the reticle, and set up repeatable A/B focus pulls with a timed move.08Zoom: the rocker and repeatable A/B zoom movesZoom with the rail or the speed-controlled rocker, and store two framings for a smooth, timed A/B zoom move between them.

Formats

09Codecs and frame ratesHEVC, H.264, ProRes and ProRes RAW in MoviePro: what each needs, Video Quality data rates, and frame rates from exact 23.98 to 240 fps.10Color modes, HDR and Apple LogRec.709, HDR, HLG and Apple Log / Apple Log 2 in MoviePro: requirements, Log View monitoring, and recording a baked Rec.709 or HDR conversion.11Long takes, Long-Record Mode and recording limitsWhat changes in Long-Record Mode, above 60 fps and with ProRes RAW, and how to prepare a long take: storage, power, heat and record duration.

Monitoring and audio

12Scopes and exposure toolsHistogram, RGB parade, waveform and vectorscope, plus zebra, false color, clipping and focus peaking: thresholds and behavior on HLG and Apple Log.13Set up and monitor audioChoose the built-in, USB, wired or Bluetooth microphone, read the meters and peak level, set input gain and monitor through headphones.

Workflow

14Save and recall presetsSave the current camera setup as a preset, apply it with Use, update or rename it, read its details, and see exactly what a preset saves.15Save destinations, external drives and remaining storageSave to App Library, Photos, Files or a connected SSD, use Pro Video Storage for ProRes on iOS 27, and read the remaining-time indicator.16Next Clip slate, file naming and timecodeName clips by project, scene and take with the Next Clip slate, see how files are named, and set timecode, copyright and location metadata.17Review, organize and share recordingsFind, play and inspect takes in the MoviePro Library, read a clip's recorded details, and send original files to a Mac with AirDrop.

Remote and rigs

18Use Pro with rigs and controllersStart and stop takes with the volume buttons or a Bluetooth remote, and send a clean HDMI feed to an external monitor.19Remote Control: run one iPhone from anotherRun a filming iPhone from a second iPhone or an iPad: what you need, connecting, the controller screen upright or in landscape, and recording from it.20Apple WatchUse MoviePro on Apple Watch to see the iPhone's picture and start and stop takes from your wrist.

Reference

21Settings referenceMoviePro's settings by section: video format, audio, camera, interface, metadata, storage, lens and rig, and app settings, with options and defaults.22TroubleshootingFixes for recordings that will not start or stop early, unavailable formats, audio and presets, missing files, Remote Control links and permissions.

Your device#

Glossary and support#

Term	Meaning
Aperture	The lens opening. A smaller f-number admits more light. Adjustable only on iPhone 18 Pro and 18 Pro Max.
Aperture priority	ƒ fixed; ISO and shutter automatic.
Shutter priority	Shutter fixed; ISO automatic (iOS 27 or later).
Codec	The method used to encode video, such as HEVC or ProRes.
Frame rate	The number of recorded frames per second.
Shutter angle	Exposure time expressed as a portion of one frame interval.
White balance	The adjustment that makes neutral objects appear neutral under the light.

Term	Meaning
Tint	The green-magenta component of white balance.
Log	A recording curve intended for color management or grading.
Bake	Apply a conversion to the saved recording instead of only displaying it.
HDR	High dynamic range; requires a suitable display and playback path.
Timecode	A time label used to identify frames and align material in an editing workflow.
Slate	Information used to identify a project, scene, and take.

Contact support

Open Settings, scroll to the SUPPORT section and tap Contact Support. Include the MoviePro version and build, device model, iOS version, recording format, lens, microphone, storage destination, and the steps that reproduce the problem. Add the receipt message and a short example when useful.

About this edition

This edition (October 2026) covers Pro Mode in MoviePro 10.0.4. Device and format availability are described beside the affected operation. Check your installed version before following instructions for a newer control.